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Journey of the Dragon


2010
19 June - Lional Wendt
20 June - Lional Wendt
23 July - Lumbini Theatre
15 August - Lional Wendt
22 September - Akuressa
24 September - Ampara
25 September - Elphinston Theatre
02 October - Lional Wendt
07 October - Marandagahamula
20 October - Polonnaruwa
05 November - Negambo
06 November - Gampola
27 November - Lional Wendt
05 December - Batticaloa

2011
14 January - New Delhi
27 January -Tower Hall
02 February - Embilipitiya
19 February - Jaffna
23 February - Peradeniya
30 March - Ratnapura
01 April - University of Sri Jayawardenepura
07 April - Anuradhapura
26 September - University of Kelaniya
10 October - Kanthale

2012
29 January - Gampaha

Tuesday, September 21, 2010



Life of Yevgeny Shvarts

Yevgeny Shvarts was born in Kazan in 1896 into a physician's family. His father was Jewish, his mother Russian. At the end of the 1910s he studied law at Moscow State University, but was drafted into the army in the spring of 1917. He served in the White regiment of general Kornilov, and suffered shell-shock during the storming of Yekaterinodar in 1918. As a result of this he lost several teeth and acquired a tremor of the hands that plagued him for the rest of his life.

In 1919 decided to devote his life to dramatic art and literature. From 1924 on he lived in Leningrad and worked in Gosizdat under the guidance of Samuil Marshak; during that time he also became close with members of the avant-garde literary group OBERIU.

In 1929 Shvarts began writing plays, the best known of which are the modern retellings of fairy tales: «Golyi korol'» ("The Emperor's New Clothes") (1934), «Krasnaya Shapochka» ("Little Red Riding Hood") (1936), «Zolushka» ("Cinderella") (1938), «Snezhnaya Koroleva» ("The Snow Queen", after Hans Christian Andersen) (1938), «Tyen'» ("The Shadow", after Hans Christian Andersen) (1940), «Drakon» ("The Dragon", an original) (1944), and «Obyknovennoye Chudo» ("An Ordinary Miracle") (1956). Most of these plays were subsequently turned into films, sometimes more than once.

“The Dragon”

This play, the most "adult" of Shvarts' plays, is a political satire aimed at totalitarianism in all forms. The plot is based on the attempt of the hero, Lancelot, to liberate people in a land suffering under Dragon's brutal rule. But his efforts meet with resistance, since most of the people have gotten used to the Dragon and considered his methods, though harsh, the only possible way; their souls become, in a way, crippled with this inability and unwillingness to resist. Says the Dragon in the play: "You see, the human soul is very resilient. Cut the body in half — and the man croaks. But tear the soul apart — and it only becomes more pliable, that's all. No, really, you couldn't pick a finer assortment of souls anywhere. Only in my town. Souls with no hands. Souls with no legs. Mute souls, deaf souls, chained souls, snitch souls, damned souls."

Lancelot killing the Dragon in a fight did not free the people; all that changed was the Burgomaster acceding to the position formerly occupied by the Dragon and demanding that Elsa, the same girl who was destined to be sacrificed to the Dragon, become his wife. When Lancelot returns to the town a year later, he realizes that his task is much more complex: "This is going to be a very meticulous job... We have to kill the dragon in each one of them."

Famous Quotations
from "The Dragon"

Heinrich: "It's not my fault, I was taught that way."
Lancelot: "Everyone was, but why did you have to be first in class?"

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